• Oscar Season 2024-2025; Final Predictions; Musicals Duel In Sound Design and Visual Effects; Multiple Ridley Scott & Ape Projects Go Head-To-Head; Films On Both Sound and Visual Effects Longlists Look For An Edge

  • 2025/01/23
  • 再生時間： 1 時間 2 分
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Oscar Season 2024-2025; Final Predictions; Musicals Duel In Sound Design and Visual Effects; Multiple Ridley Scott & Ape Projects Go Head-To-Head; Films On Both Sound and Visual Effects Longlists Look For An Edge

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  • On this episode of ACADEMY ANONYMOUS:

    • How many photo-real animal work can the Visual Effects branch spotlight
    • Is there room for both Weta's dystopian apes and dancing ape on the Visual Effects five
    • Is the Ridley Scott name on the long list enough to carry “Gladiator 2” into a nomination
    • Can “Twisters” and “Alien: Romulus” capitalize on their distinct settings and effects to distinguish themselves from the rest of the lineup
    • Alex Garland looks to crash the Visual Effects category again after previously winning with “Ex-Machina” and reaping a nod from the Visual Effects Society with "Civil War"
    • “Wicked” favored for a nod by pundits but not the traditional kind of work visual effects artists fall for, especially with the musical “Better Man” outperforming it at the VES
    • Will Disney finally lose out on a Visual Effects nomination - their first since the category expanded in 2010? Or is Shawn Levy and his production company their “ace in the hole”?
    • Can “Wicked” and “Emilia Perez" coexist in Best Sound, the first time for multiple musicals in the category since 1968
    • Can one-time Best Picture favorite “Blitz” use BAFTA nod to capture at least a single nod at the Oscar
    • “A Complete Unknown” to continue Sound branch’s love for musical biopics and James Mangold projects
    • “Dune, Part 2” bolstered in Sound by its Visual Effects nomination
    • How a spot on the VFX longlist has bolstered the chances of “Gladiator 2,” “Deadpool & Wolverine,” and “Alien: Romulus” to steal a spot as a Best Sound nominee
    • Can “The Wild Robot” find favor in the Sound branch - where few animated titles and only Pixar have been before?
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あらすじ・解説

On this episode of ACADEMY ANONYMOUS:

  • How many photo-real animal work can the Visual Effects branch spotlight
  • Is there room for both Weta's dystopian apes and dancing ape on the Visual Effects five
  • Is the Ridley Scott name on the long list enough to carry “Gladiator 2” into a nomination
  • Can “Twisters” and “Alien: Romulus” capitalize on their distinct settings and effects to distinguish themselves from the rest of the lineup
  • Alex Garland looks to crash the Visual Effects category again after previously winning with “Ex-Machina” and reaping a nod from the Visual Effects Society with "Civil War"
  • “Wicked” favored for a nod by pundits but not the traditional kind of work visual effects artists fall for, especially with the musical “Better Man” outperforming it at the VES
  • Will Disney finally lose out on a Visual Effects nomination - their first since the category expanded in 2010? Or is Shawn Levy and his production company their “ace in the hole”?
  • Can “Wicked” and “Emilia Perez" coexist in Best Sound, the first time for multiple musicals in the category since 1968
  • Can one-time Best Picture favorite “Blitz” use BAFTA nod to capture at least a single nod at the Oscar
  • “A Complete Unknown” to continue Sound branch’s love for musical biopics and James Mangold projects
  • “Dune, Part 2” bolstered in Sound by its Visual Effects nomination
  • How a spot on the VFX longlist has bolstered the chances of “Gladiator 2,” “Deadpool & Wolverine,” and “Alien: Romulus” to steal a spot as a Best Sound nominee
  • Can “The Wild Robot” find favor in the Sound branch - where few animated titles and only Pixar have been before?
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