• Oscar Season 2024-2025; Final Predictions; An Open Spot for Original Screenplay; Can Musicals Finally Break the Adapted Screenplay Dryspell

  • 2025/01/23
  • 再生時間: 42 分
  • ポッドキャスト

Oscar Season 2024-2025; Final Predictions; An Open Spot for Original Screenplay; Can Musicals Finally Break the Adapted Screenplay Dryspell

  • サマリー

  • On this episode of ACADEMY ANONYMOUS:

    • ANORA & A REAL PAIN locks for Original Screenplay
    • Two unconventional writing pieces in THE SUBSTANCE & THE BRUTALIST cement their chances for Screenplay with solid Best Picture bids, but are they really writers’ cup of tea?
    • Four first-time nominees and the shrinking window for a veteran writer on the Original Screenplay shortlist. Can CIVIL WAR or SATURDAY NIGHT recover?
    • Justin Kuritzkes to ride breakthrough year into first Oscar nomination for writer-fave CHALLENGERS
    • A (too little too late?) boost for writer Mike Leigh’s HARD TRUTHS with vocal support from Barry Jenkins & Greta Gerwig
    • ALL WE IMAGINE AS LIGHT hopes for a solo nod in writing after being the rare critics darling not submitted for International Film
    • Can the experimental NICKEL BOYS lock up a screenplay nod on the strength and popularity of its Pulitzer Prize-winning source material
    • DUNE PART 2 struggling to repeat after Dune Part One’s nomination
    • Can the Almodovar name push his English-language debut THE ROOM NEXT DOOR past musical fare
    • SING SING vast writing team hopes to secure at least one nomination with writers
    • Veteran CONCLAVE writer the favorite to finally win
    • Former writing nominees, Mangold and Jay Cocks collaboration an easy call for Adapted Screenplay
    • WICKED and EMILIA PEREZ trying to scale a mountain of history against them and land among the Adapted Screenplay nominees. Can ONE or BOTH beat the odds?


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あらすじ・解説

On this episode of ACADEMY ANONYMOUS:

  • ANORA & A REAL PAIN locks for Original Screenplay
  • Two unconventional writing pieces in THE SUBSTANCE & THE BRUTALIST cement their chances for Screenplay with solid Best Picture bids, but are they really writers’ cup of tea?
  • Four first-time nominees and the shrinking window for a veteran writer on the Original Screenplay shortlist. Can CIVIL WAR or SATURDAY NIGHT recover?
  • Justin Kuritzkes to ride breakthrough year into first Oscar nomination for writer-fave CHALLENGERS
  • A (too little too late?) boost for writer Mike Leigh’s HARD TRUTHS with vocal support from Barry Jenkins & Greta Gerwig
  • ALL WE IMAGINE AS LIGHT hopes for a solo nod in writing after being the rare critics darling not submitted for International Film
  • Can the experimental NICKEL BOYS lock up a screenplay nod on the strength and popularity of its Pulitzer Prize-winning source material
  • DUNE PART 2 struggling to repeat after Dune Part One’s nomination
  • Can the Almodovar name push his English-language debut THE ROOM NEXT DOOR past musical fare
  • SING SING vast writing team hopes to secure at least one nomination with writers
  • Veteran CONCLAVE writer the favorite to finally win
  • Former writing nominees, Mangold and Jay Cocks collaboration an easy call for Adapted Screenplay
  • WICKED and EMILIA PEREZ trying to scale a mountain of history against them and land among the Adapted Screenplay nominees. Can ONE or BOTH beat the odds?


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