『New Books with Miranda Melcher』のカバーアート

New Books with Miranda Melcher

New Books with Miranda Melcher

著者： New Books Network
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 A special series of interviews hosted by Dr. Miranda Melcher.New Books Network アート 世界 文学史・文学批評
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  • Brent Z. Kaup and Kelly F. Austin, "The Pathogens of Finance: How Capitalism Breeds Vector-Borne Disease" (U of California Press, 2025)

    Brent Z. Kaup and Kelly F. Austin, "The Pathogens of Finance: How Capitalism Breeds Vector-Borne Disease" (U of California Press, 2025)
    2025/06/14
    The Pathogens of Finance: How Capitalism Breeds Vector-Borne Disease (University of California Press, 2025) by Dr. Brent Z. Kaup & Dr. Kelly F. Austin is an exploration of how the rising power and profits of Wall Street underpin the contemporary increases in and inadequate responses to vector-borne disease. Over the past fifty years, insects have transmitted infectious diseases to humans with greater frequency and in more unexpected places. To examine this phenomenon, Dr. Kaup and Dr. Austin take readers to the exurban homes of northern Virginia; the burgeoning agricultural outposts of Mato Grosso, Brazil; and the smallholder coffee farms of the Bududa District of eastern Uganda. Through these case studies, the authors illuminate how the broader financialization of society is intimately intertwined with both the creation of landscapes more conducive to vector-borne disease and the failure to prevent and cure such diseases throughout the world. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    56 分
  • Samuel Rutherford, "Teaching Gender: The British University and the Rise of Heterosexuality, 1860-1939" (Oxford UP, 2025)

    Samuel Rutherford, "Teaching Gender: The British University and the Rise of Heterosexuality, 1860-1939" (Oxford UP, 2025)
    2025/06/14
    In Britain in the late nineteenth and early twentieth centuries, universities were one of many institutional state structures wherein gender difference, the male breadwinner ideal, and heterosexuality were central to a conception of citizenship. But while the state could enforce these norms through the parameters it set on the extension franchise or the distribution of welfare benefits, individual women and men also played active roles in creating and renegotiating them through the messy interactions of everyday life.Teaching Gender: The British University and the Rise of Heterosexuality, 1860–1939 (Oxford University Press, 2025) by Dr. Samuel Rutherford immerses the reader in lecture theatres, University Senate meetings, student unions, nightclubs, and halls of residence to show how individuals' efforts to find workable paradigms for relating to one another across gender lines took shape within specific institutional, political, and financial constraints, and in the context of a historical moment when anxiety accrued around non-normative genders and sexualities as symptomatic of wider social and political instability. Drawing on extensive research in the archives of ten colleges and universities across England and Scotland, Dr. Rutherford shows that the nationalization and centralization of higher education at the turn of the twentieth century resulted incidentally in coeducation, over the protest of feminist activists who supported gender segregation; that students' negotiation of cross-gender interaction in coeducational universities ultimately led them to identify heterosexuality as a seemingly less fraught paradigm than more gender-neutral conceptions of 'corporate life'; and that single-sex men's and women's colleges, though increasingly marginal, became important sites for the theorization of life paths and identities outside the heterosexual norm. Through detailed recovery both of political and financial decision-making and of the experiences and emotions of faculty, students, administrators, donors, and national politicians, Dr. Rutherford paints a vivid and resonant picture of the university campus as a key site for the transmission of norms around gender and sexuality. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    1 時間 5 分
  • Alison Griffiths, "Nomadic Cinema: A Cultural Geography of the Expedition Film" (Columbia UP, 2025)

    Alison Griffiths, "Nomadic Cinema: A Cultural Geography of the Expedition Film" (Columbia UP, 2025)
    2025/06/11
    From In Borneo, the Land of the Head-Hunters to The Epic of Everest to Camping Among the Indians, the early twentieth century was the heyday of expedition filmmaking. As new technologies transformed global transportation and opened new avenues for documentation, and as imperialism and capitalism expanded their reach, Western filmmakers embarked on journeys to places they saw as exotic, seeking to capture both the monumental and the mundane. Their films portrayed far-flung locales, the hardships of travel, and the day-to-day lives of Indigenous people through a deeply colonial lens. Nomadic Cinema: A Cultural Geography of the Expedition Film (Columbia University Press, 2025) by Dr. Alison Griffiths is a groundbreaking history of these films, analyzing them as visual records of colonialism that also offer new possibilities for recognizing Indigenous histories. Dr. Griffiths examines expedition films made in Borneo, Central Asia, Tibet, Polynesia, and the American Southwest, reinterpreting them from decolonial perspectives to provide alternative accounts of exploration. She considers the individuals and institutions—including the American Museum of Natural History—responsible for creating the films, the spectators who sought them out, and the Indigenous intermediaries whose roles white explorers minimized. Ambitious and interdisciplinary, Nomadic Cinema ranges widely, from the roots of expedition films in medieval cartography and travel writing to still-emerging technologies of virtual and augmented reality. Highlighting the material conditions of filmmaking and the environmental footprint left by exploration, this book recovers Indigenous memory and sovereignty from within long-buried sources. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    1 時間 6 分

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