In anticipation of James Gunn's upcoming Superman movie, Cinemark is releasing a line of exclusive collectible merchandise, highlighted by two unique popcorn containers.

The most notable item is the Krypto the Superdog Popcorn Carrier. This container is cleverly designed to look like a pet carrier, holds popcorn, and includes a removable plush toy of Superman's canine companion.

The collection also features a more classic Man of Steel Tin, a large popcorn container shaped like the iconic Superman "S" shield. In addition to these, fans will be able to purchase a collectible cup and a plush Krypto topper.

This release follows the recent trend of highly sought-after, and often viral, movie-themed popcorn buckets that generate significant online buzz. The merchandise will be available exclusively at Cinemark theaters.

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In the new DC Universe (DCU) overseen by James Gunn, superheroes and metahumans will not be a new phenomenon. According to Gunn himself, super-powered individuals have been known to the public for as long as 300 years.

This is a significant shift from previous superhero universes:

• Contrast with the DCEU and MCU: Unlike the DCEU, where Superman's arrival in Man of Steel was humanity's "first contact" with a hero, or the MCU, which kicked off with Iron Man, the new DCU is a "lived-in" world that has long adapted to the existence of superheroes.
• Storytelling Implications: This allows the DCU to skip the common origin stories and the trope of the world reacting to its first hero. The upcoming film Superman: Legacy will feature an already-established Superman in a world that is already familiar with people like him.
• Deep History: The 300-year timeline suggests a deep history of metahumans. This could easily incorporate historical teams like the Justice Society of America (JSA) and long-lived beings like the Amazons, making them an established part of the world's past.

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According to DC Studios co-head James Gunn, there are no immediate plans for a Justice League movie in the new DC Universe (DCU). His priority is to first build the universe from the "ground up" by establishing individual characters and their respective worlds.

Key points from the article include:

• Focus on Solo Stories First: Gunn's strategy is to avoid rushing into a team-up movie. The initial slate for "Chapter One: Gods and Monsters" will focus on projects like Superman, The Brave and the Bold (featuring Batman and Robin), Supergirl: Woman of Tomorrow, and The Authority.
• Learning from the Past: This approach is a deliberate contrast to the previous DC Extended Universe (DCEU), which was often criticized for fast-tracking its Justice League film before its main heroes were fully established.
• A Future Event: While a Justice League movie isn't part of the initial plans, Gunn has teased that its eventual formation will be a major, earned event in the DCU's future, rather than an immediate goal.

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James Gunn, co-head of DC Studios, has officially confirmed that a new Wonder Woman movie is in development for the new DC Universe (DCU). The confirmation came in a direct response to a fan on the social media platform Threads.

However, the announcement leaves key questions unanswered. Most importantly, Gunn did not specify whether Gal Gadot would return to the role, leaving her future as the character uncertain, especially since other Justice League actors like Henry Cavill and Ben Affleck are not returning for the rebooted universe.

The article clarifies that this new movie is separate from the previously announced Max series, Paradise Lost. That series is a prequel set on Themyscira, described as a Game of Thrones-style political drama about the Amazons that takes place before Diana's birth.

In short, while a Wonder Woman movie is officially part of the DCU's future, crucial details like casting, the creative team, and a release date have not yet been revealed.

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This article from Nerdist is not a traditional movie review, as the film has not yet been released. Instead, it's a commentary piece by author Michael Walsh that analyzes the announcement of the live-action remake and expresses deep skepticism about its necessity and significant concern about the challenges it faces.

The central argument is that the original animated How to Train Your Dragon trilogy is a "perfect" and emotionally resonant masterpiece, making a live-action remake an inherently difficult, and perhaps pointless, task.

Key points from the article include:

• The Impossibly High Bar: The author argues the original trilogy is one of the best in film history, questioning why anyone would try to remake something that is already universally beloved and critically acclaimed.
• The Challenge of Toothless: A major concern is how to translate the animated Toothless—with his expressive, cat-like, and slightly cartoonish features—into a believable live-action creature without losing his charm and character. The author fears he could end up looking strange or generic.
• Capturing the Tone: The original films masterfully balanced adventure and humor with mature themes of loss, disability, and prejudice. The article questions if a live-action version can replicate this nuanced and heartfelt tone.
• A Glimmer of Hope: The one source of optimism for the author is the return of Dean DeBlois, the writer and director of the animated trilogy, to helm the live-action version. The casting of Mason Thames and Nico Parker is also noted as looking the part.

In essence, the article's tone is one of worried hope. While the author is deeply skeptical about the project's existence, the involvement of the original creative leader provides a small chance that the remake might honor the spirit of the beloved original.

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In an interview with Nerdist, Tony Gilroy, the creator of

He clarifies that while he finds the fan "shipping" of the two characters interesting, their bond was designed to be one of comrades-in-arms or a "brother and sister" dynamic. Gilroy explains that the story is about two deeply damaged and lost people who find a common purpose and a "home" within the Rebellion. Their powerful connection at the end of the film stems from finding a cause worth dying for together, not from romantic love.

The article notes that this pragmatic, non-romantic approach is a hallmark of Gilroy's storytelling and is central to the philosophy of the Andor series, which focuses on the gritty, unglamorous realities of revolution rather than romantic subplots.

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In a charming interview with Nerdist while playing with a group of puppies, actor Tom Hiddleston discussed his new film, The Life of Chuck, and reflected on the conclusion of his iconic role as Loki.

Key points from the interview:

• On his new film, : The movie is an adaptation of a Stephen King novella directed by Mike Flanagan. Hiddleston described it as a "beautiful" and "life-affirming" story that is told in reverse chronological order, starting with the end of the world and working backward to explore the life of an ordinary man. He emphasized that it's less of a horror story and more in the vein of poignant King adaptations like The Shawshank Redemption, celebrating the idea that "every life contains multitudes."
• On Loki's journey: Hiddleston expressed deep satisfaction with the end of Loki Season 2, calling it a "beautiful conclusion." He highlighted the character's complete transformation from a selfish villain to someone who makes the ultimate selfless sacrifice. He feels that Loki finally found his "glorious purpose," which was to protect the timeline and the people he cared about.

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In a conversation for MovieMaker Magazine, Colin Farrell and Danny DeVito, the two actors famous for their portrayals of The Penguin, came together to discuss the iconic DC villain. The discussion was defined by a strong sense of mutual admiration and a "passing of the torch" moment.

Key points from their conversation include:

• Mutual Praise: DeVito was highly complimentary of Farrell's performance in The Batman, calling it "terrific" and "operatic." In return, Farrell expressed his reverence for DeVito's "indelible" and "extraordinary" take in Batman Returns, which he grew up with.
• Contrasting Interpretations: They discussed the major differences in their characters. DeVito's Penguin was a fantastical, gothic creation from Tim Burton's imagination—a being literally raised by penguins. Farrell's version is a more grounded, realistic mid-level gangster, drawing inspiration from classic crime films like Scarface.
• The Upcoming Farrell confirmed his HBO Max series will pick up about a week after the events of The Batman. It will explore Oswald "Oz" Cobblepot's rise to power in the criminal underworld following the death of Carmine Falcone. DeVito expressed his excitement and full support for the upcoming show.
• Behind-the-Scenes Details: The two actors also shared stories about their physical transformations. DeVito recalled the work of Stan Winston and the "gob of goo" (a mix of licorice and mouthwash) he had to keep in his mouth to create the Penguin's signature black saliva.

Ultimately, the conversation celebrated the character's legacy, with both actors showing deep respect for each other's unique and memorable contributions to the role.

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