Collected for use in the chapel of Cambridge University's Peterhouse college in the 1630s and hidden during the Civil War, the Peterhouse Partbooks represent one of the most important manuscript collections of sacred choral music from the period. In this podcast, Raymond Bisha presents performances of those works by the Peterhouse choir, affording a snapshot of its chapel's distinctive musical heritage, with recently unearthed music heard alongside the foundations of a tradition still very much alive in today’s Anglican church.

Although the music of Polish composer Zygmunt Noskowski (1846–1909) is less well known than that of his teacher (Stanisław Moniuszko) and his students (Karol Szymanowski and Mieczysław Karłowicz), Noskowski was nonetheless the primary exponent of modern symphonic music in Poland for most of the 19th century; he also introduced the idea of the symphonic poem to colleagues who would follow in his footsteps. Raymond Bisha introduces a programme of his Third Symphony and the symphonic poem The Steppe, Op. 66, which blends sweeping Romanticism with Polish folk spirit. The symphony is a journey through the seasons, while The Steppe evokes Poland’s vast landscapes with colourful hints of Borodin's In the Steppes of Central Asia.

In this podcast, Raymond Bisha unearths captivating performances of horn concertos by Rosetti, Vivaldi and Telemann. Did the latter have a few Steins of Alsterwasser to hand when depicting concertising frogs and crows? Listen on...