BulletBoys exploded onto the scene in 1988 with their self-titled debut, produced by Ted Templeman (famed for his work with Van Halen and David Lee Roth). The album went gold, fueled by hits like “Smooth Up in Ya” and a blistering cover of The O’Jays’ “For the Love of Money.” With comparisons to Van Halen swirling, it was no surprise when Marq eventually struck up a friendship with Eddie Van Halen himself — stories of which he shares with candor and admiration.

Torien opens up not just about Eddie, but also his encounters with others like Dave Grohl, members of KISS, and many more. With nearly four decades in the music business, he remains fiercely independent, constantly evolving the band and touring .

Beyond nostalgia, BulletBoys continue to bring new material and fresh energy to the stage — with Marq Torien’s signature vocal firepower leading the charge.

🔗 Official Site: https://www.bulletboysofficial.com

Few bands on Earth—or any planet, for that matter—have carved out a legacy as insane, outrageous, and gloriously grotesque as GWAR. Born in the underground punk and metal scenes of Richmond, Virginia, GWAR exploded into the music world in the late ‘80s wearing monster costumes, wielding foam weapons, and spraying audiences with fake blood, bile, and even more questionable fluids. But beneath the theatrical horror lies serious musicianship, brutal riffs, and sharp satire that’s kept them alive (and undead) for decades.In this episode, we’re slicing open the carcass of GWAR’s current lineup to speak with the newest scumdog to join the slaughter: Grodius Maximus—the guitar-slinging warrior who recently crash-landed onto Earth to fill the six-string void left in the band’s battlefield. With a name that sounds like a gladiator raised on ‘80s thrash and space meat, Grodius brings fresh hellfire to GWAR’s already volcanic live shows.GWAR’s Disgusting, Beautiful HistoryGWAR was originally assembled in 1984 as an elaborate joke involving art students and musicians. What began as a side project turned into a full-blown intergalactic invasion with the release of albums like Scumdogs of the Universe (1990), America Must Be Destroyed (1992), and This Toilet Earth (1994). Led by the late, great Oderus Urungus (Dave Brockie), GWAR built a universe with its own mythology—one that blurred the line between rock concert and blood-soaked stage play.They’ve survived censorship, bans, lawsuits, and the tragic death of Brockie in 2014. Yet GWAR soldiered on, as only space barbarians can, bringing in new blood like Blöthar the Berserker (the band’s current vocalist) and now, Grodius Maximus—a cosmic guitar warrior with chops sharp enough to decapitate the crowd (metaphorically… we think).Meet Grodius MaximusSo who the hell is Grodius Maximus? According to GWAR lore, he was forged in the lava pits of a dying star, fed a diet of buzzsaw strings and the bones of hair metal guitarists. According to Earth records, he’s a seasoned player who’s worked in the shadows of the metal world, bringing a mix of technical skill and raw aggression to the band’s already thick sonic attack. Beyond the Gore: Why GWAR Still MattersGWAR’s staying power isn’t just about slime and satire. Underneath the spectacle is a band that consistently delivers musically—mixing punk, thrash, death metal, and even progressive influences into a sound that’s always brutal and often brilliant. Their social and political commentary is absurd on the surface, but sneakily intelligent underneath, skewering everything from corporate greed to religious hypocrisy to American excess.Grodius Maximus brings new fire to that mission, showing that GWAR’s not just still alive—they’re mutating into their next form.

https://gwar.net/?srsltid=AfmBOopLlBzwy2ErePMJCIZOcqAg6cTpwaY0698qZNIGEy5eQO7X5kzW

Snowy Shaw is one of the most versatile and visually distinctive figures in heavy metal. A Swedish multi-instrumentalist, singer, songwriter, and visual artist, Snowy first made a name for himself in the late 1980s as the drummer for doom pioneers Memento Mori, and later King Diamond, where his theatrical approach to drumming and showmanship stood out. He would go on to play in a long list of influential bands, contributing vocals, bass, drums, and guitar with equal confidence.Throughout the 1990s and 2000s, Shaw became known as a kind of musical chameleon, joining forces with a number of high-profile metal acts including Mercyful Fate, Notre Dame, Dream Evil, and Therion. His ability to adapt stylistically while leaving his own artistic stamp made him a sought-after collaborator. Shaw often brought more than just musicianship—he had a hand in stage design, costumes, and overall presentation, giving many projects a more theatrical, immersive quality.Shaw’s talents weren’t limited to traditional band settings. He also built a solo career, blending gothic, symphonic, and extreme metal influences into his own theatrical brand. His solo shows featured elaborate costumes, character-driven songs, and a dark sense of humor. Albums like The Liveshow – 25 Years of Madness in the Name of Metal showcased his wide-ranging influences and deep roots in everything from classic rock to extreme metal.His silence came to an end with this exclusive interview. After weeks of avoiding the topic, Snowy sat down with me to tell the full story of what happened with Eurovision, how it impacted him, and why he stayed quiet. This marks the first and only time he has opened up about the situation, offering his honest thoughts and reflections on the next stage in his career.In addition to sharing that story, Snowy talks about his journey through the highs and lows of the music industry, his creative process, and what drives him today. Whether you’re a longtime fan or just discovering his work, this conversation is a deep look into one of metal’s most interesting minds. To learn more, hear his music, or grab some of his signature merch, visit www.snowyshaw.net.