• Jody Quon (Photo Editor: New York, The New York Times Magazine, more)

  • 2024/12/20
  • 再生時間: 1 時間 8 分
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Jody Quon (Photo Editor: New York, The New York Times Magazine, more)

  • サマリー

  • SHE LOOKS FORWARD TO YOUR PROMPT REPLY

    Jody Quon’s desk is immaculate. There’s a lot there, but she knows exactly where everything is. It’s like an image out of Things Organized Neatly.

    She rarely swears. Or loses her temper. In fact she’s one of the most temperate people in the office. Maybe the most. She’s often been referred to as a “rock.”

    She remembers every shoot and how much it cost to produce. She knows who needs work and who she can ask for favors.

    She’s got the magazine schedule memorized and expects you to as well. She’s probably got your schedule memorized, too.

    She’s usually one of the first in the office and last to leave. In fact, on the day she was scheduled to give birth to her first child, she came to work and put in a full day. When her water broke at around 6pm, she called her husband to say, “It’s time.”

    I don’t know if any of this is true. Except the baby thing. That is true. Kathy Ryan told me so.

    I had a teacher in high school, Ms. Trice. She was tough. I didn’t much like her. She would often call me out for this or that. Forty years later, she’s the only one I remember, and I remember her very fondly. In my career, I’ve often thought that the best managing editors, production directors, and photography directors were just like Ms. Trice. These positions, more than any others, are what make magazines work. They’re hard on you because they expect you to be as professional as you can be. They make you better. (I see you, Claire, Jenn, Nate, Carol, and Sally.)

    I suspect that a slew of Jody Quon’s coworkers and collaborators feel that same way about her. Actually, I don’t suspect. I know. I’ve heard it from all corners of the magazine business. I heard it again yesterday from her mentor and good friend, Kathy Ryan.

    “She just has that work ethic,” Ryan says. “It’s just incredible when you think about it. The ambition of some of the things that they’ve done. And that has been happening right from the beginning. Ambition in the best sense. Thinking big. And she’s cool, always cool under pressure. We had a grand time working together. I still miss her.”

    Jody Quon is one of those people who makes everybody around her better. That’s what I believe. And after this conversation, you probably will, too.

    es.”

    This episode is made possible by our friends at Mountain Gazette, Commercial Type, and Freeport Press.

    Print Is Dead (Long Live Print!) is a production of Magazeum LLC ©2021–2025

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あらすじ・解説

SHE LOOKS FORWARD TO YOUR PROMPT REPLY

Jody Quon’s desk is immaculate. There’s a lot there, but she knows exactly where everything is. It’s like an image out of Things Organized Neatly.

She rarely swears. Or loses her temper. In fact she’s one of the most temperate people in the office. Maybe the most. She’s often been referred to as a “rock.”

She remembers every shoot and how much it cost to produce. She knows who needs work and who she can ask for favors.

She’s got the magazine schedule memorized and expects you to as well. She’s probably got your schedule memorized, too.

She’s usually one of the first in the office and last to leave. In fact, on the day she was scheduled to give birth to her first child, she came to work and put in a full day. When her water broke at around 6pm, she called her husband to say, “It’s time.”

I don’t know if any of this is true. Except the baby thing. That is true. Kathy Ryan told me so.

I had a teacher in high school, Ms. Trice. She was tough. I didn’t much like her. She would often call me out for this or that. Forty years later, she’s the only one I remember, and I remember her very fondly. In my career, I’ve often thought that the best managing editors, production directors, and photography directors were just like Ms. Trice. These positions, more than any others, are what make magazines work. They’re hard on you because they expect you to be as professional as you can be. They make you better. (I see you, Claire, Jenn, Nate, Carol, and Sally.)

I suspect that a slew of Jody Quon’s coworkers and collaborators feel that same way about her. Actually, I don’t suspect. I know. I’ve heard it from all corners of the magazine business. I heard it again yesterday from her mentor and good friend, Kathy Ryan.

“She just has that work ethic,” Ryan says. “It’s just incredible when you think about it. The ambition of some of the things that they’ve done. And that has been happening right from the beginning. Ambition in the best sense. Thinking big. And she’s cool, always cool under pressure. We had a grand time working together. I still miss her.”

Jody Quon is one of those people who makes everybody around her better. That’s what I believe. And after this conversation, you probably will, too.

es.”

This episode is made possible by our friends at Mountain Gazette, Commercial Type, and Freeport Press.

Print Is Dead (Long Live Print!) is a production of Magazeum LLC ©2021–2025

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