Once described as an “excitement merchant” for his soul-stirring sound, Jimmy Smith brought the Hammond B-3 organ to the forefront of the jazz community. The virtuosic keyboard man was the first to use the unwieldy instrument extensively in jazz, leading bassless trios, fronting powerful big bands and pioneering a path for every organist who followed.

As part of the Peabody Award-winning documentary series “Jazz Profiles,” this episode about Jimmy Smith was produced in 1998 by Njemile C. Jones and narrated by the show host Nancy Wilson.

The “Jazz Profiles” shows – nearly 200 of them – are part of the Tim Owens Jazz & Broadcast Collection at the University of North Texas Music Library. In a partnership with Tim and UNTML, we’ve picked a handful of noteworthy shows to share with you. You can find more “Jazz Profiles” shows at the UNT Music Library’s Jazz Syndicate (www.library.unt.edu/jazzsyndicate), and learn more about 32 Bar Blues' clothing collection and commitment to the arts at 32barblues.com

Mose Allison is an American music icon – but his sound is hard to categorize. Cleverly blending boogie-woogie, bebop, blues and jazz piano, he created innovative and fresh songs shot with brilliant lyrics and his unique half-spoken, half-sung vocal style. His songs have been recorded by the Who (“Young Man Blues”), Leon Russell (“I’m Smashed”), and Bonnie Raitt (“Everybody’s Cryin’ Mercy”) – and other admirers include Tom Waits, John Mayall, the Rolling Stones, and Van Morrison. He’s one of the most original and provocative musicians in jazz.

As part of the Peabody Award-winning documentary series “Jazz Profiles,” this episode about Mose Allison was produced in 1997 by Ben Sidran and narrated by the show host Nancy Wilson.

The “Jazz Profiles” shows – nearly 200 of them – are part of the Tim Owens Jazz & Broadcast Collection at the University of North Texas Music Library. In a partnership with Tim and UNTML, we’ve picked a handful of noteworthy shows to share with you. You can find more “Jazz Profiles” shows at the UNT Music Library’s Jazz Syndicate (www.library.unt.edu/jazzsyndicate), and learn more about 32 Bar Blues' clothing collection and commitment to the arts at 32barblues.com

Milt Hinton was one of the world’s legendary bass players. In a career that spanned eight decades, he played with just about everyone—from Cab Calloway to Duke Ellington to John Coltrane. He’s often credited with bridging the gap from the swing era to modern jazz. Those who played with Milt affectionately referred to him as “the Judge,” because he was considered the ultimate timekeeper. As trumpeter Clark Terry once put it, “When you work with the Judge, you know you’re gonna get some time.”

As part of the Peabody Award-winning documentary series “Jazz Profiles,” this episode about Milt Hinton was produced in 1999 by Njemile C. Jones and narrated by the show host Nancy Wilson.

The “Jazz Profiles” shows – nearly 200 of them – are part of the Tim Owens Jazz & Broadcast Collection at the University of North Texas Music Library. In a partnership with Tim and UNTML, we’ve picked a handful of noteworthy shows to share with you. You can find more “Jazz Profiles” shows at the UNT Music Library’s Jazz Syndicate (www.library.unt.edu/jazzsyndicate), and learn more about 32 Bar Blues' clothing collection and commitment to the arts at 32barblues.com