The war between so-called pro-choice and pro-life forces in America seem divided beyond repair. But where does that leave women who have made the often painful and important decision to have an abortion? As Kassi Underwood says, they are left with a choice between regret and relief, with few opportunities to talk about the experience and feel supported in their personal struggles. Kassi knows from personal experience that needing to hide all the sometimes complex feelings left after an abortion has a greater chance of fracturing women than the abortion itself. For even necessary losses are still losses, deserving our ear and calling for our attention. With great humor and fierce honesty, Kassi Underwood takes us along on her own search for answers and, in the process, helps us to think more deeply about this important subject.

Kassi Underwood’s work has been published in The New York Times, The Atlantic online, The Rumpus, and Refinery29. She holds an MFA in literary nonfiction from Columbia University, where she taught on the faculty of the Undergraduate Writing Program. In 2012, she won Exhale's Pro-Voice Storyteller Award in recognition of her personal essays on abortion; in 2013, she traveled across the United States, sharing her journey after abortion in an effort to bring peace to the abortion war. Described by audiences as “part-storyteller, part-public speaker, and part performance artist,” Kassi gives talks on the spirituality of abortion, addiction recovery, personal transformation, and social justice nationwide. She has addressed Christian churches and liberal arts colleges, shared a stage with standup comedians Amy Schumer and Sarah Silverman, and appeared as a guest on MSNBC and HuffPost Live. She lives with her husband in Cambridge, Massachusetts, where she is a student at Harvard Divinity School and cohost of the podcast, Spiritually Blonde.

Across the great divide in America, city dwellers and the nation's farmers often fail to understand each other. Marie Mutsuki Mockett set out to close the gap, going back to the place in Nebraska where her family owns a farm and listening with her whole heart to the many of the men and women who raise the food that keeps all of us alive; midwest rural America. She travelled to seven states to participate with them in harvest. In the process, her ideas, assumptions and beliefs were challenged, leaving an indelible mark on her heart and mind. When we are able to truly listen to each other, how does it affect our view of the world? Does it lead to greater understanding and tolerance? How can we be true to ourselves while truly respecting the other person? Marie comes back from the heartland with some answers and many questions, inviting us to share with her a profound lesson in acceptance. Launching as we are all facing the effects of COVID-19, the book is timely in that it also takes a look at front line workers who help keep our food supply open.

Marie Motsuki Mockett is a novelist and memoirist. Born and raised in California to a Japanese mother and American father, she graduated from Columbia University. Her memoir, Where the Dead Pause and the Japanese Say Goodbye, explores how the Japanese cope with grief and tragedy. Her essay, Letter from a Japanese Crematorium, was anthologized in Norton’s Best Creative Nonfiction. Her first novel, Picking Bones from Ash, was was a finalist for the Paterson Prize. She’s written for many publications including The New York Times and has been a guest on The World, Talk of the Nation and All Things Considered. Her new book, “American Harvest,” is set in seven agricultural and heartland states and was a finalist for the Lukas Prize for Nonfiction. Marie received her MFA from the Bennington Writers Seminars and teaches fiction and nonfiction at the Rainier Writing Workshop, in Tacoma, Washington is a Visiting Writer in the MFA program at Saint Mary’s College.

Susan Hayden experienced three sudden losses that shaped her life; her childhood best friend, her father and her husband. How did she shape these losses into the creative voice she crafted over a lifetime? How did they change her? Going forward from loss, what do we take with us and what do we leave behind? Her first published memoir, Now You Are a Missing Person, makes poetry of loss, showing us how to integrate our love into a new creation.

Susan Hayden is a poet, playwright, novelist, and essayist. Her plays have been performed live on KPFK’s Pacifica Performance Showcase and produced at the Met Theatre, Padua Playwrights, The Lost Studio and elsewhere. Her poems and stories have been published in numerous anthologies, including Beat Not Beat from Moon Tide Press, The Black Body from Seven Stories Press, and bestselling Los Angeles In the 1970s/Weird Scenes Inside the Goldmine from Rare Bird Books. She was a Finalist in the Inaugural Amazon Breakthrough Novel Award with Penguin Press for her unpublished novel, Cat Stevens Saved My Life. Hayden is the creator and producer of Library Girl, a monthly words and music series now in its 14th year at Ruskin Group Theatre. In 2015, she was presented with the Artist in the Community/Bruria Finkel Award from the Santa Monica Arts Foundation for her significant contributions to the energetic discourse within Santa Monica’s arts community. You can find her at susanhayden.com.