EP 22 The Stories America Tells Itself
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EP 22 The Stories America Tells Itself
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What stories does America tell itself - and who do they serve? In this episode of Impact Talks, we launch the 2025 Vice-Chancellor’s Democracy Forum with acclaimed historian, author and cultural critic Sarah Churchwell. In her thought-provoking lecture, Sarah explores the national myths that have shaped the United States. She examines how narratives of freedom and opportunity often conceal histories of exclusion, inequality, and disinformation.
Following her address, Sarah is joined in conversation by celebrated author Anna Funder and economist Roy Green. Together, they reflect on the fragile state of democracy around the world and the urgent need to reimagine civic discourse, media and education in an age of misinformation.
Guests:
Sarah Churchwell
Professor of American Literature and Public Understanding of the Humanities, University of London. A leading voice on American cultural and political identity, Sarah Churchwell is the author of Behold, America and The Wrath to Come. Her work examines the myths that shape national consciousness, particularly around democracy, freedom and populism.
Anna Funder
Author of Stasiland and Wifedom. Anna Funder is an award-winning writer known for her powerful investigations into truth, memory, and authoritarianism. Her latest book, Wifedom, reframes the story of George Orwell through the lens of his first wife, Eileen O’Shaughnessy, shining new light on women’s erasure from political and cultural history.
Roy Green
Emeritus Professor, UTS; Chair, Port of Newcastle. An economist and innovation expert, Roy Green has advised governments, businesses, and universities on productivity, industry policy, and economic transformation. He is a passionate advocate for inclusive, sustainable growth and the role of knowledge institutions in democratic renewal.
Presented as part of the Vice-Chancellor’s Democracy Forum at the University of Technology Sydney.
This episode has been lightly edited.
Impact Talks at UTS is produced by UTS Impact Studios, with sound engineering by Alison Zhuang.