Daniel Pelton hadn't felt much of a musical connection to his Jewish heritage before Oct. 7. But after reality changed for Jews around the world—including his hometown of Calgary—Pelton decided to learn more about both the Holocaust and its artistic representations. He read The Tattooist of Auschwitz, which inspired him to adapt the tattoo numbers used in the book—34902-32407—into musical notes, using their 12-tone counterparts.

The result evolved into a 11-minute epic, which Pelton supplemented with two other tracks to create a new trio of songs, released on Jan. 27 for the 80th anniversary of the liberation of Auschwitz. To record the three works, Pelton teamed up with Calgary's National Music Centre and successfully applied for a grant to record with the "Violins of Hope", authentic violins once owned by Holocaust victims and survivors.

Hear all the three works and learn how he embarked on this journey on this week's episode of Culturally Jewish, The CJN's podcast spotlighting Canadian Jewish artists.

Credits

• Hosts: Ilana Zackon and David Sklar
• Producer: Michael Fraiman
• Music: Sarah Segal-Lazar

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When Adam Wolfond was in his primary school years, the public education system wasn't giving him the support he needed as a nonverbal autistic student. So his mother, Estée Klar, along with other educators and allies, created their own kind of classroom, where neurodivergent kids could feel more free to learn in their own ways, pacing around the room or sitting in bean bag chairs. For Wolfond, using a text-to-speech device, he was finally able to respond in full sentences at his own pace—and discover his own poetic voice.

This month, he is debuting an art exhibition at the Koffler Arts Centre in Toronto, "What If My Body is a Beacon for the World?", running from Jan. 9-26. The exhibit includes video installations and projections, along with bean bag chairs and sticks laying around the ground, which are central to Wolfond's way of living and communicating.

Wolfond and Klar join Culturally Jewish, The CJN's arts podcast, to describe their artwork and journey to get here.

Credits

• Hosts: Ilana Zackon and David Sklar
• Producer: Michael Fraiman
• Music: Sarah Segal-Lazar

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Erez Zobary spent a long time downplaying her Jewish identity in her music career. Her earlier work—a blend of R&B, pop, soul and jazz—dealt with issues relevant to her audience of largely twentysomethings: love lives, quarter-life crises, feeling stuck and aimless. It may not be surprising, then, that a woman whose songs so often looked inward would eventually turn to her heritage. As she tells Culturally Jewish, The CJN's arts and culture podcast, her songs began feeling increasingly disconnected from who she really was, and she wanted to try something drastically different.

The result is Erez, her new album, which dives deep into her Yemenite family history—specifically her grandmother's escape from Yemen to Israel as part of Operation Magic Carpet. Zobary joins the show to explain her process and backstory, and to share how she feels releasing an album with Middle Eastern musical flourishes, covered in Hebrew writing, just one year after Oct. 7.

Credits

• Hosts: Ilana Zackon and David Sklar
• Producer: Michael Fraiman
• Music: Sarah Segal-Lazar

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After Wendy Litner's mother passed away, Litner was surprised that she still heard her voice—felt her presence, even, looking over her shoulder... often judging her. The feeling inspired Litner to write a new web series called My Dead Mom, released on Crave earlier this month.

The show gives a modern, distinctly feminist twist to the stereotype of a Jewish mother ceaselessly nagging her daughter. And, as Litner explains on the latest episode of Culturally Jewish, it's less about saying goodbye than accepting the evolution of a relationship with those who've passed on.

Also in this episode, co-hosts Ilana and David discuss their own history of using art to process grief and trauma, and give their biweekly round-up of Jewish art events across the country.

Credits

• Hosts: Ilana Zackon and David Sklar
• Producer: Michael Fraiman
• Music: Sarah Segal-Lazar

Support The CJN

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• Donate to The CJN (+ get a charitable tax receipt)
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This podcast is a proud media partner of Jewish Futures, a day-long arts and culture salon for Jewish arts workers, hosted by the UJA Federation of Greater Toronto on Nov. 24. The 2024 program emphasizes networking, communal learning and the exploration of Jewish artistic identity, providing a foundation for building resilience and leadership for Toronto’s Jewish cultural community. Learn more and get your tickets here.

Joseph Landau didn't grow up speaking Yiddish—but something about the language compelled him. Whenever he spent time with his grandfather, Landau would ask him to translate certain words, slowly building a vocabulary. He joined WhatsApp groups that communicated in the language, sought out secular Yiddish-speaking communities and eventually began speaking Yiddish to his own young son.

That journey, not coincidentally, has dovetailed with Landau's musical career. As the driving force behind Yosl and the Yingels, Landau writes original songs—entirely in Yiddish—that blend jazz and folk melodies with classic klezmer motifs. Their debut EP, Zikhroynes, releases Nov. 15, 2024._

Landau joins the hosts of Culturally Jewish to discuss life in the Yiddish-speaking arts world, from the politics of klezmer retreats to the reaction of non-Jewish audiences across the city of Toronto.

Credits

• Hosts: Ilana Zackon and David Sklar
• Producer: Michael Fraiman
• Music: Sarah Segal-Lazar

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Last month, The CJN Podcast Network debuted its first original fiction podcast, Justice: A Holocaust Zombie Story. The seven-part audio drama is a work of subversive Holocaust education designed for the digital age, with many of its gruesome facts grounded in truth. Any shock value from merging zombies with Holocaust education was a deliberate attempt at turning heads, particularly among younger, non-Jewish audiences.

That's according to the show's creator, Michael Fraiman—who also produces _Culturally Jewish—_and sits in the guest chair for the first time. He and Ilana Zackon were invited by the Toronto Holocaust Museum to record a live conversation about the show, its origins and its intentions, hosted on the night before Halloween.

Listings

• Learn more about Jewish Futures, Toronto's day-long conference for Jewish arts workers, and register for the event happening Nov. 24
• See what the Toronto Holocaust Museum is doing for Neuberger Holocaust Education Week 2024, including a conversation between Maclean's editor Sarah Fulford and author Tobias Buck

Show Credits

• Hosts: Ilana Zackon and David Sklar
• Producer: Michael Fraiman
• Music: Sarah Segal-Lazar

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• Donate to The CJN (+ get a charitable tax receipt)
• Subscribe to Culturally Jewish (Not sure how? Click here)

Jacob Samuel has a couple references to his Judaism in his stand-up routine. In the past, whenever he brought it up, it usually created a moment of tension before a laugh. But in the year since Oct. 7, especially in his hometown of Vancouver, he's noticed a shift. It's harder to talk about his Jewish identity onstage. He brings it up later, or takes out a couple jokes if the laugh isn't big enough.

Yet Samuel, who won a Juno award for his debut comedy album in 2021, is determined to keep telling audiences he's Jewish. As he tells The CJN's arts podcasters on Culturally Jewish, that visibility is important, even with antisemitism on the rise. And getting people comfortable enough to laugh along with him is critical.

Samuel is will be hitting the road this month, performing in Toronto, Ottawa and Montreal before returning to B.C. for a headline show at the Chutzpah! Festival in Vancouver.

Credits

• Hosts: Ilana Zackon and David Sklar
• Producer: Michael Fraiman
• Music: Sarah Segal-Lazar

Support The CJN

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• Donate to The CJN (+ get a charitable tax receipt)
• Subscribe to Culturally Jewish (Not sure how? Click here)

Arnie Lipsey has spent decades working in animation. But on the side, years ago, he began painting on canvas, using archival family photos for inspiration. He began colourizing and adapting them, eventually reinterpreting them entirely through a modern lens. That often resulted in jarring, traumatic scenes quietly unfolding behind his smiling family members: spiralling tornados, fiery trains, even the barbed-wire fences of a concentration camp.

The result is an unsettling, engrossing new series of 30 paintings in a new series on display at the Museum of Jewish Montreal until December 2024. The Past Is Before You blends fond memories and childlike innocence with a traumatic family story of escape from Nazi Europe. Lipsey joins The CJN's arts podcast, Culturally Jewish, to explain his process and share some of the real-life history behind the art.

Credits

• Hosts: Ilana Zackon and David Sklar
• Producer: Michael Fraiman
• Music: Sarah Segal-Lazar

Support The CJN

• Subscribe to The CJN newsletter
• Donate to The CJN (+ get a charitable tax receipt)
• Subscribe to Culturally Jewish (Not sure how? Click here)