“Writing it was like chipping away at a mountain with a pair of nail scissors.” —Ellen Birkett Morris

Ellen Birkett Morris is the author of Beware the Tall Grass, winner of the Donald L. Jordan Award for Literary Excellence. She is also the author of Lost Girls: Short Stories, winner of the Pencraft Award and finalist for the Clara Johnson, IAN and Best Book awards. Her fiction has appeared in Shenandoah, Antioch Review, Saturday Evening Post, among other journals. She is a winner of the Bevel Summers Prize for short fiction, and a recipient of an Al Smith Fellowship from the Kentucky Arts Council.

Among other things, Ellen and Carter discuss the transition from writing poetry to novels, supporting other writers within the writing community, and maximizing dramatic potential in individual scenes. At the end of their conversation, they make up a descriptive story using a line from Ayn Rand’s We the Living.

“Not that my work is superior to Rear Window, but I thought—what’s more interesting than a broken leg? A broken mind.” —A.J. Finn

A. J. Finn is the author of The Woman in the Window, the #1 internationally-bestselling phenomenon published in more than forty languages and adapted for the screen as a film starring Amy Adams, Gary Oldman, and Julianne Moore. His second novel, End of Story, was released in February 2024.

Among other things, A. J. and Carter discuss how previously working in publishing influenced A. J.’s writing journey, reasons behind adopting a pseudonym, and A. J.’s experience being at the top of the New York Times Best Seller list. At the end of their conversation, they make up a mysterious story using a line from Jeffrey Konvitz’s The Circus of Satan.

“If I'm going out to sea, I'm doing it in a ship I built, not in the piece of crap they want me to build." – Matt Goldman quoting Jerry Seinfeld

Matt Goldman is a New York Times Bestselling author and Emmy Award winning television writer. He has been nominated for the Shamus Award and Nero Award. Matt's television writing credits include Seinfeld, Ellen, The New Adventures of Old Christine, and Dirk Gently's Holistic Detective Agency.

Among other things, Matt and Carter discuss the writing behind stand-up comedy versus the performance of it, staying true to vision and voice while writing for Seinfeld, and learning brevity. At the end of their conversation, they make up a beautiful and detailed story using a line from Cormac McCarthy’s The Passenger.