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Here finally is a true and powerful traditionalist response to both feminist accusations and the cheap bragging of low-IQ wife-beaters. Why and how are men "born to rule"? The answer is clear once we recover the once-obvious link between authority, violence, and sacrifice. The gory origins of authority in blood sacrifice, archaic, ancient, and modern. The biological expandability of male versus female bodies. Male competition and female competition (if such a thing even exists), and how it plays out in modern business environment. Patriarchy as a balancing and restraining force. The liberal blindness to the dark side of desire and competition, and what it means for our spiritual and civilisational future.

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Parks Gore and I discuss Terence McKenna's Stoned Ape Theory. McKenna argued that human evolution was driven by hominid consumption of psychedelic mushrooms. We explain his theory and argue against it in light of René Girard's work. Girard believed that in-group violence was the unprecedented problem whose solution through violent sacrificial ritual and religion provided the leap from animal to human. We then talk about psychedelics and spirituality, both in ancient or indigenous culture and in the New Age / psychonaut one, and how it clashes against Christianity. We touch on the great problem of human origin.

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Autism is a rare but real disorder, but the recent rise in claims of being "on the spectrum" is a massive fad, a mimetic contagion. The spectrum is glamourised by popular entertainment and embraced by celebrities. With reference to René Girard's work, I analyse why people might want to signal autism (rather than "mask" it). It has to do with many notions that hit a raw nerve in our culture: narcissism, victimhood, innocence, ambition, mediocrity, genius. I also address the gender aspect of the autism fad.

Find out why claims of autism are a sad cheat code for the liberal culture.

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What is the link between comedy and tragedy? Why do both laughing and crying involve tears? How is comedy related to tickling? Why do we laugh more in modern times? These and many other questions answered in a philosophical discussion based on René Girard's essay on the topic, "Perilous Balance: A Comic Hypothesis."

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We start where we left off in Part 1: Dostoevsky the romantic wakes up and realizes he lives in the underground, filled with resentment, frustrated ambition, and tormenting idols. The underground man struggles to break free in the character of Raskolnikov from Crime and Punishment and the teacher in The Gambler.

We then encounter formidable idols that attract and foment underground passions all around them: Prince Myshkin in The Idiot and Nikolai Stavrogin in The Possessed. Dostoevsky shows how such demons cannot lead anywhere but destruction. The author depicts the depths of rebellion as a human universal and as a particular of his place and age.

Finally, in The Brothers Karamazov, the Devil has a mask-off moment and shows his face. But Christ also shows up. The demonic nature of the underground torment and fascination is fully revealed. Christ stands accused by the Grand Inquisitor, who wants to build a society without him. But only Christ can reveal the perdition of obsessing over idols, enemies, and sinful fathers, whom one inevitably ends up imitating, and the way out that obsession and into a whole, undivided humanity.

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A review of the life and works of the great Fyodor Dostoevsky following René Girard's book Dostoevsky: Resurrection from the Underground. A masterpiece of literary criticism in its own right, this book brings edifying and brilliant insights into Dostoevsky's own masterpieces, but only by connecting them to the novelist's lesser works and personal life.

Girard traces a coherent arch in Dostoevsky's life and works, from a frustrated naive romantic trying to fit into the literary fads of the age while coping with his personal inadequacies to a man who experiences a spiritual breakthrough and perceives the unflattering, diabolical truths about the motives that drive him. These motives have everything to do with Girard's mimetic theories on desire and on modernity, theories that came to him while reading Dostoevsky, among other novelists, as a young academic.

We begin to see how Dostoevsky's and Girard's works are coupled and how they provide such a powerful, prophetic interpretation of modernity.

Part 2 will be covered in the next episode, which traces the arch from Dostoevsky awakening in the underground, to struggling to escape it, and finally to the spectacular resurrection out of it.

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René Girard's mysterious quote on masochist reasoning being a model of scientific induction. Connecting masochistic conclusions about the nature of the universe to that of the scientist. What logical genius may have in common with masochism – the idiot-savant stereotype. Why modern materialistic and atheistic ideologies tend to turn sadomasochistic.

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The Devil is trending. Talk of demons can be heard from Tucker Carlson, theorists on UFOs and AI, right-wing podcasters interviewing exorcists, and the Psychedelic Renaissance aficionados. So I go over what I recently wrote about the devil on my blog: Girard's anthropological interpretation of the Devil as the force behind seduction, conflict, and accusation; the victimary mechanism as the Satanic mechanism, depicted in the story of the Gerasene Demoniac and the parable of Satan casting out Satan; the devil in schizophrenia and in psychedelic experiences.

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