In today’s episode, we’ll meet 23-year-old Quenton Blache, a remarkable cellist and composer. Quenton has performed with prestigious groups like the National Youth Orchestra of the USA and Sphinx Virtuosi. He has also been commissioned to create works for the Sphinx Virtuosi, North Carolina Chamber Music Institute, and Little Orchestra Society.

Quenton is particularly passionate about composing for visual media and has scored numerous short films and documentaries. Today, he joins us to discuss his latest project, "To Whom I Pray," an audiovisual piece.

We'll explore Quenton's journey, listen to some of his works, and, at the end of the show, premiere his brand-new piece.

On today’s episode, we’re talking with Beverly Kane Baker—a pioneering violist whose career has spanned decades, stages, and generations. From her early training at Juilliard to her role as principal violist with the Virginia Symphony Orchestra, Beverly has carved out a legacy grounded in excellence, community, and spiritual purpose.

In our conversation, she reflects on growing up in a music-filled neighborhood, the mentors who shaped her, and the values of discipline, service, and joy that continue to guide her life. We also talk about what it means to show up—fully and authentically—as a Black woman in classical music spaces, and how she continues to inspire the next generation.

On today’s episode, We’re highlighting the Gateways Music Festival — a powerful meeting ground for Black classical musicians from across the country. It’s more than a festival. It’s a home. A reunion. A proving ground.

You’ll hear from four extraordinary artists who carry that legacy forward: Alex Laing, Curtis Stewart, Melissa White, and Damien Sneed.

From world premieres to reimagined classics, from personal reflections to artistic breakthroughs — this episode is a window into the soul of Gateways.