For this episode, I sat down with the young lion Kahlil Childs, an alto saxophonist and multi-reedist who leads his own quartet here in San Diego. At 15, he has already made a name for himself on the local jazz scene. We met to discuss why jazz was the path he discerned for himself, and how learning about jazz legends has inspired him to continue his journey. We talk about what it's like to study under jazz master and alto saxophonist Charles McPherson and Grammy Award-winning producer and U.C. San Diego professor Kamau Kenyatta. He shares his experience of growing up with two present, educated, socially conscious parents and how that has influenced him. He names his current favorite jazz artists and describes the experience of playing with some of his heroes. Lastly we discuss his quartet and where he sees himself in the future, most likely attending a jazz conservatory on the East Coast.

https://kahlilchilds.com

In this episode, I talk with Dr. Kamau Rashid, professor and director of the Kemetic Institute of Chicago. We speak in detail about the importance of African and African-American history and its power to transform the lives of younger generations, and he references the historians and intellectuals who were his own forebears and inspirations. We discuss Nile Valley civilizations, West African history, the Caribbean Islands, Haiti, and the Americas. Dr. Rashid then becomes my first respondent to rapid-fire interviewing, fielding questions about various authors, activists, poets, historians, and scholars. This is the first installment of a series of discussions on black history, with more to come.

South African bassist, composer, and arranger Herbie Tsoaeli is affectionately known, in certain circles, as Malume, a term of respect for older men who serve as elders. In this episode, we discuss his origins and inspiration. He was raised in Cape Town during the 1976 Soweto Uprising and describes the effects of Apartheid on his development. His parents, wanting him to be a doctor, were initially disappointed by his musical path, but he found himself called by legends like Coltrane and Abdullah Ibrahim. He talks in-depth about playing with some of the greatest South African musicians: Bucs Gongco, Winston Mankunku Ngozi, Hugh Masekela, Bheki Mseleku, and many others. Before parting, we discuss his concept of the term "African Time" and its many meanings..

https://herbietsoaeli.com