This week we're hanging by a thread as we take a look at one of the strangest, sleaziest movies we've done yet, Mad Foxes. A few movies in our past have driven us to the brink of madness but none so powerfully as this Swiss/German/Spanish co-production that was intended to be a sequel-in-name-only of the American action movie, Stingray.

Music video director Paul Grau approached his producer friend Erwin Dietrich with an idea to produce a comedy and ended up with the assignment to instead produce a violent action movie and since the producer was also a big name in the world of European sexploitation the movie had a mandate to also be full of sex and nudity and man alive, did Paul Grau miss the mark. Starring Jose Gras, credited as Robert O'Neil, it tells the story of a man, his car, and the high cost of being so cool when Nazi bikers assault his lady and kill his parents. Again, because his car is just too cool.

Somehow having four writer credits, this movie comes off like it was written by one twelve year old boy. Very little of it makes sense. A lot of it is maddening to behold and if you're not ready for it you're going to be surprised by precisely how many penises are in this movie.

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This week Dave surprises Bryan with a movie with a title that is at once a good description and a terrible misrepresentation. They're going to Germany for a look at Martin Walz's very gay 1996 horror comedy, Killer Condom. Based on the comic of the same name (and the follow-up, Down To The Bone) by German cartoonist, Ralf Konig, Killer Condom (Kondom des Grauens) tells the story of New York City in the grips of terror as carnivorous condoms bite the penis off of the city's men left and right. It's also a touching love story as Detective Luigi Macaroni shakes his jaded feelings on love and comes to terms with feelings for the rentboy who keeps distracting him from his job.

Distributed by Troma, Killer Condom was thrust out into the English-speaking world on the vague promise of the outrageous, politically incorrect comedy you've come to expect from the house that Toxie built but this sells the movie short as it's actually a very human love story and a not-so-subtle meditation on the AIDS crisis. Now, it IS a movie made in the 90's and hasn't exactly aged well but reckon with a little transphobia and racism and you find a terribly unique movie that was way ahead of its time.

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