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サマリー
あらすじ・解説
Join Janice and Shanna as they finish their discussions of Part II and begin to explore Part III of the novel Anna Karenina.
Commonplace Quotes
At that moment they heard from behind them a loud noise—a great cracking, deafening noise as if a giant had broken a giant’s plate.
“Who’s done it?” cried Susan. “What does it mean? Is it more magic?” “Yes!” said a great voice behind their backs. “It is more magic.” They looked round. There, shining in the sunrise, larger than they had seen him before, shaking his mane (for it had apparently grown again) stood Aslan himself.
“Oh, Aslan!” cried both the children, staring up at him, almost as much frightened as they were glad.
“But what does it all mean?” asked Susan when they were somewhat calmer. “It means,” said Aslan, “that though the Witch knew the Deep Magic, there is a magic deeper still which she did not know. Her knowledge goes back only to the dawn of time. But if she could have looked a little further back, into the stillness and the darkness before Time dawned, she would have read there a different incantation. She would have known that when a willing victim who had committed no treachery was killed in a traitor’s stead, the Table would crack and Death itself would start working backward.
C.S. Lewis, The Lion, the Witch and the Wardrobe
Folk-lore means that the soul is sane, but that the universe is wild and full of marvels. Realism means that the world is dull and full of routine, but that the soul is sick and screaming. The problem of the fairy tale is—what will a healthy man do with a fantastic world? The problem of the modern novel is—what will a madman do with a dull world? In the fairy tales the cosmos goes mad; but the hero does not go mad. In the modern novels the hero is mad before the book begins, and suffers from the harsh steadiness and cruel sanity of the cosmos.
G.K Chesterton, Tremendous Trifles
Books Mentioned
The Lion, the Witch, and the Wardrobe, C.S. LewisTremendous Trifles, G.K. Chesterton
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