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What's Left of Me Is Yours
- A Novel
- ナレーター: Janet Song, Emily Woo Zeller
- 再生時間: 11 時間 31 分
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批評家のレビュー
"Beautifully written, atmospheric, and immersive, Stephanie Scott’s What’s Left of Me Is Yours tells a propulsive story about heartbreak and loss and the greatest mystery of all, family." (Laurie Frankel, New York Times best-selling author of This Is How It Always Is)
"A brilliant debut." (Louise Doughty, author of Platform Seven and Apple Tree Yard)
"Stephanie Scott’s story of a woman’s murder sweeps the reader into a world in which love is fused with betrayal and truth is locked away. Beautiful, delicate and brutal, What’s Left of Me Is Yours, is difficult to put down, impossible to forget." (Marti Leimbach, best-selling author of Dying Young and Daniel Isn't Talking)
あらすじ・解説
"Each chapter of this enrapturing novel is elegantly brief and charged with barely contained emotion." (New York Times Book Review)
A gripping debut set in modern-day Tokyo and inspired by a true crime, for readers and listeners of Everything I Never Told You and The Perfect Nanny, What's Left of Me Is Yours charts a young woman's search for the truth about her mother's life - and her murder.
In Japan, a covert industry has grown up around the wakaresaseya (literally "breaker-upper"), a person hired by one spouse to seduce the other in order to gain the advantage in divorce proceedings. When Satō hires Kaitarō, a wakaresaseya agent, to have an affair with his wife, Rina, he assumes it will be an easy case. But Satō has never truly understood Rina or her desires, and Kaitarō's job is to do exactly that - until he does it too well. While Rina remains ignorant of the circumstances that brought them together, she and Kaitarō fall in a desperate, singular love, setting in motion a series of violent acts that will forever haunt her daughter's life.
Told from alternating points of view and across the breathtaking landscapes of Japan, Stephanie Scott exquisitely renders the affair and its intricate repercussions. As Rina's daughter, Sumiko, fills in the gaps of her mother's story and her own memory, Scott probes the thorny psychological and moral grounds of the actions we take in the name of love, asking where we draw the line between passion and possession.