『The Witch Who Trades with Death』のカバーアート

The Witch Who Trades with Death

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The Witch Who Trades with Death

著者: C.M. Alongi
ナレーター: Lucy Walker-Evans
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A young witch forced to play concubine for her empirical captor, finally breaks free to find a life of her own, but even those with the power to call Death cannot outrun their past…

All witches must serve the cruel and immortal Emperor Yamueto. Upon discovery of her powers, Khana was ripped away from her desert home at fourteen years old and enslaved as a concubine. After years in service, her only friend in the palace is brutally murdered for supplying her forbidden birth-control, and Khana must make her escape. But not before accidentally discovering the secret of Yamueto’s power and immortality – he has been making deals with Death. And now, thanks to a twist of fate, so is she.

Armed with new magic that she doesn’t fully understand, Khana flees to a small mountain town. Although she tries to keep her identity a secret, Khana’s powers are soon discovered after rescuing a dying soldier. News of her abilities starts to spread, putting a giant target on her back. And Yamueto is not the forgiving kind.

Khana’s magic and courage are put to the ultimate test when she is finally forced to stop running and fight back. But every deal she makes with Death takes another piece of her soul, and there’s only so much that Khana can give before turning into the very monster she’s trying to destroy.

WARNING: This book contains references to violence, war, racism, xenophobia, sexual assault and domestic violence.

©2025 C.M. Alongi (P)2025 Bolinda Publishing

批評家のレビュー

'I fell into The Witch who Trades with Death like a knife through butter – it gripped me from the very beginning and I was desperate to know when Khana would finally catch a break.' (Gemma Creffield, Senior Commissioning Editor at Angry Robot)
'C.M. Alongi’s The Witch who Trades with Death is tightly plotted and utterly immersive with characters and conflict that jump right off the page from the very first chapter. I couldn’t get enough of this book and Alongi’s cinematic storytelling.' (Lesley Sabga, The Seymour Agency)

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