The Weird Sisters
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The Weird Sisters
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ナレーター：
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Kirsten Potter
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著者：
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Eleanor Brown
このコンテンツについて
The beloved New York Times best seller from acclaimed author Eleanor Brown about three sisters who love each other, but just don't happen to like each other very much.
Three sisters have returned to their childhood home, reuniting the eccentric Andreas family. Here, books are a passion (there is no problem a library card can't solve) and TV is something other people watch. Their father - a professor of Shakespeare who speaks almost exclusively in verse - named them after the Bard's heroines. It's a lot to live up to.
The sisters each have a hard time communicating with their parents and their lovers, but especially with one another. What can the shy homebody eldest sister, the fast-living middle child, and the bohemian youngest sibling have in common? Only that none has found life to be what was expected; and now, faced with their parents' frailty and their own personal disappointments, not even a book can solve what ails them...
©2010 Eleanor Brown (P)2011 PenguinAudible制作部より
“I have been in such a pickle since I saw you last.” (The Tempest)
One of the ‘weird sisters’ might have said this to another in Eleanor Brown’s debut novel. These three daughters of a Shakespeare scholar possessing vast repertoires of Bardian quotes might have missed this one, or shunned it out of mutual jealousy and need to keep up appearances. But coming home after years apart, they have all been in pickles.
Bookish members of a family where reading is both haven and hideout, the sisters call themselves ‘weird’ after Macbeth’s three witches, but Professor Andreas, their Will-obsessed and spouting father named them: Cordelia (King Lear), Rose (Rosalind, As You Like It), and Bean (Bianca, Taming of The Shrew).
When they receive news that their beloved, artistic mother has cancer, the sisters arrive, each variously adrift in her life, and lugging resentments and insecurities over her siblings’ perceived advantages in love, work, or parental favor. How their happily married and devoted (if thinly drawn) parents spawned these discontented 20-to-30-somethings isn’t clear. But Rose, a math professor and self-appointed (unnecessary) caretaker of her parents, bemoaning her fiancé’s temporary relocation abroad, eagerly reassumes the role of boss/protector to her sisters (also unnecessary). The chic, man-eating Manhattanite Bean fudged the books at work to binge-shop, until she was recently and humiliatingly caught. And Cordelia, the indulged youngest yet sweetest, a hand-to-mouth (and often hungry) nomad, now suddenly finds herself pregnant and unattached. Mom’s illness provides the convenient refuge they all seek.
Brown is a good storyteller. Though not exactly original, her tale is entertainingly chick-lit-ish, with romance, both seedy and princely, serendipity, and lessons learned. Listeners who like their Shakespeare a la Hallmark suitable for every occasion or thought will be especially charmed. As an audio experience, the novel’s communal first-person ‘we’ narration adds immediacy. But, intended perhaps to foreshadow or add irony, it sometimes sounds forced, given the sisters’ chronic disunity. Fortunately, actress Kirsten Potter brings it all elegantly, expertly together. She differentiates the sisters’ personalities and a host of characters from hip priest to (stereotypical) sternly kind librarian skillfully until the very “all’s well that ends well”. Elly Schull Meeks