Audible会員プラン登録で、12万以上の対象タイトルが聴き放題。
-
The Noël Coward Collection
- ナレーター: Annette Bening, Joe Mantegna, Eric Stoltz, Rosalind Ayres, Ian Ogilvy, Yeardley Smith, Shirley Knight
- 再生時間: 9 時間
カートのアイテムが多すぎます
カートに追加できませんでした。
ウィッシュリストに追加できませんでした。
ほしい物リストの削除に失敗しました。
ポッドキャストのフォローに失敗しました
ポッドキャストのフォロー解除に失敗しました
聴き放題対象外タイトルです。Audible会員登録で、非会員価格の30%OFFで購入できます。
あらすじ・解説
Six phenomenally sophisticated Noël Coward comedies:
Fallen Angels: Julia and Fred and Willy and Jane are happily married and the best of friends, until a postcard arrives with news of the imminent arrival of a certain handsome Frenchman—gay, debonair, and utterly sophisticated. Performed by Annette Bening, et al.
Hay Fever: A country house weekend goes haywire when the guests and their hosts play a game of romantic musical chairs. Performed by Eric Stoltz, et al.
Private Lives: On the French Rivera, the lights of a yacht are reflected in the water and in the eyes of four hilariously mismatched lovers. Perhaps Coward’s greatest comedy, Private Lives shimmers with romance, desire and bittersweet truth. Performed by Rosalind Ayres, et al.
Design For Living: Three terminally stylish friends attempt to uncoil their twisted love triangle in this sexy and scandalous gem. Written in 1932, the play was deemed extremely daring. Performed by Michelle Arthur, et al.
Present Laughter: Stage star Garry Essendine struggles to plan his trip to Africa while his flat is invaded by a love struck ingénue, an adulterous producer, a married seductress, Garry’s estranged wife Liz and an aspiring playwright who is quite, quite mad. Performed by: Ian Oglivy, Yeardley Smith, et al.
Blithe Spirit: A convivial evening party among friends is transformed when a séance conjures the ghost of Elvira, the host’s first wife, who delights in wreaking havoc among the living. Performed by: Rosalind Ayres, Ian Ogilvy, et al.
Exclusive bonus material: Two rarely-performed shorts by Noël Coward, Design for Rehearsing and Age Cannot Wither, as well as conversations on Coward with Barry Day (Noel Coward Foundation) and John Lahr (The New Yorker).