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The Night Strangers
- A Novel
- ナレーター: Alison Fraser, Mark Bramhall
- 再生時間: 14 時間 7 分
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批評家のレビュー
"A page-turner of uncommon depth. Guilt, egotism, and fear all play parts in the genre-bending novel." (Booklist)
“The Night Strangers boasts all the trappings of a classic Gothic horror story, reminiscent in places of the spousal secrets in Nathaniel Hawthorne’s ‘Young Goodman Brown,’ the thrills of ‘Rosemary’s Baby,’ and the psychological frights of Daphne du Maurier. . .A perfect book for Halloween. . .That thump thump you hear as you read is only your heart leaping from your chest.” (Keith Donohue, Washington Post)
"Echoes of Rosemary's Baby and The Shining. . .Read if you dare, but keep an extra light on, and make sure your seat is in the full upright and locked position.” (USA Today)
あらすじ・解説
From the bestselling author of The Double Bind, Skeletons at the Feast, and Secrets of Eden, comes a riveting and dramatic ghost story.
In a dusty corner of a basement in a rambling Victorian house in northern New Hampshire, a door has long been sealed shut with 39 six-inch-long carriage bolts.
The home's new owners are Chip and Emily Linton and their twin ten-year-old daughters. Together they hope to rebuild their lives there after Chip, an airline pilot, has to ditch his 70-seat regional jet in Lake Champlain after double engine failure. Unlike the Miracle on the Hudson, however, most of the passengers aboard Flight 1611 die on impact or drown. The body count? Thirty-nine – a coincidence not lost on Chip when he discovers the number of bolts in that basement door. Meanwhile, Emily finds herself wondering about the women in this sparsely populated White Mountain village – self-proclaimed herbalists – and their interest in her fifth-grade daughters. Are the women mad? Or is it her husband, in the wake of the tragedy, whose grip on sanity has become desperately tenuous?
The result is a poignant and powerful ghost story with all the hallmarks readers have come to expect from bestselling novelist Chris Bohjalian: a palpable sense of place, an unerring sense of the demons that drive us, and characters we care about deeply.
The difference this time? Some of those characters are dead.