『The Duke’s Children』のカバーアート

The Duke’s Children

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The Duke’s Children

著者: Anthony Trollope
ナレーター: Simon Vance
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The brilliant conclusion to the Palliser novels, this touching story follows the elderly Duke of Omnium, the former prime minister of England, as he struggles to overcome his grief at the loss of his beloved wife, Lady Glencora. To complicate matters, he must also deal with the willfulness of his three adult children as he tries to guide and support them - his plans for them are quite different from their own.

While his two sons, sent down from university in disgrace, rack up gambling debts, the duke’s only daughter yearns to marry the poor son of a country squire. Though the duke’s noble plans for his children are ultimately thwarted, he comes to realize that parents can learn from their children as well.

This final Palliser novel is a tale of love, family relationships, loyalty, and principles, as well as a compelling exploration of wealth, pride, and the strength of love.

Anthony Trollope (1815–1882), the author of 47 novels, was one of the most prolific and respected English novelists of the Victorian era. He is best known for his series of books set in the English countryside as well as those set in the political life, works that show great psychological penetration.

Public Domain (P)2012 Blackstone Audio, Inc.
イングランド・アイルランド・スコットランド・ウェールズ 古典 戯曲・演劇

批評家のレビュー

" The Duke’s Children remains a comedy, beginning with a death and ending with marriages. For all its sobriety, it is among the most optimistic of Trollope’s novels. The Duke is thwarted, but he is also educated, and his story reflects Trollope’s faith that parents can and should learn from their inheritors." (Dinah Birch, professor of English literature, University of Liverpool)
"The only duke whom all of us know." ( Westminster Review)
"[This] dramatic essay, if we may so term it, upon the aristocratic principle, in its relation to politics, society, and morality, possesses an interest which few or none besides Mr. Trollope could have imparted to it." ( Spectator (London), 1880)

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