Crime reporter Joe Carpenter lost his wife and two daughters in the crash of Flight 353. Joe is unable to work, think, or do anything but grieve, and wait for his own death. Then Joe meets Rose, a woman who claims to be the crash’s sole survivor. But before Joe can probe further, the elusive Rose slips away and Joe is left with haunting questions: If Rose lived through the crash, is it possible his family could have survived it, too? Did the authorities conspire to hide what really happened that night? Joe’s search for the truth will shatter him - and force him to question everything he thinks he knows about life and death.

Enter the world of the Pendleton: The original owner became a recluse - and was rumored to be more than half mad - after his wife and two children were kidnapped in 1896 and never found. The second owner suffered a worse tragedy in 1935, when his house manager murdered him, his family, and the entire live-in staff.... Craftsmen and laborers working on renovations disappear or go mad.... For years, the Pendleton is a happy place, until a bad turn comes again.... Voices in unknown languages are heard in deserted rooms....

Akira Kido is a divorce attorney whose own marriage is in danger of being destroyed by emotional disconnect. With a midlife crisis looming, Kido's life is upended by the reemergence of a former client, Rié Takemoto. She wants Kido to investigate a dead man - her recently deceased husband, Daisuké. Upon his death she discovered that he’d been living a lie. His name, his past, his entire identity belonged to someone else, a total stranger.

Don’t look down.... Because you’re trapped on the 40th floor of a deserted office building by a psychopath called "The Butcher". Don’t look down.… Because you’re an ex-mountain climber and a fall from Everest left you with a bad leg and a paralyzing fear of heights. Don’t look down.… Because The Butcher hasslaughtered the guards an.d short-circuited the elevators - the stairways are blocked, and for you and the beautiful woman with you, there’s only one escape route. Don’t look down.… Because 600 feet of empty space are looking back at you.

How do you know whether a real-world situation calls for a storybook hero? Is there such a thing as a knight in shining armor, or does every good deed come with unintended consequences? With chilling insight, five bestselling crime writers explore what it means to rise to the occasion—and the space between intentions and results.

Fourteen years ago, prosecutor Jessica Yardley's husband went to prison for a series of brutal murders. She's finally created a life with her daughter and is a well-respected attorney. She's moving on. But when a new rash of homicides has her ex-husband, Eddie, written all over them - the nightmares of her past come back to life.

This is Reaper speaking. So begins an anonymous letter published in a Utah newspaper after a young couple is viciously murdered. Tooele County sheriff Elizabeth Gray leads the investigation into the double homicide, which is eerily reminiscent of a string of brutal killings years ago. When the letter leads detectives to yet another body, Gray calls on an old friend for help.

Inspired as a boy by the multiple meanings to be found for a single word in the dictionary, Kohei Araki is devoted to the notion that a dictionary is a boat to carry us across the sea of words. But after thirty-seven years creating them at Gembu Books, it's time for him to retire and find his replacement. He discovers a kindred spirit in Mitsuya Majime - a young, disheveled square peg with a penchant for collecting antiquarian books and a background in linguistics - whom he swipes from his company's sales department.

Narrated by Mike Vendetti and Kathy Verduin, Cat in the Rain is not just about a cat. The cat can be taken at face value and surface-level as "just" a cat, and the events of the story as being a minor snapshot into one hour's events in the lives of an American couple living in 1920s Italy. But since when in our own lives do events simply happen without having wider implications? Many things we do are motivated by other desires, drives, wants, fears, and anxieties.

A young woman walks into an employment agency and requests a job that has the following traits: It’s close to her home, and it requires no reading, no writing, and, ideally, very little thinking. Her first gig - watching the hidden-camera feed of an author suspected of storing contraband goods - turns out to be inconvenient. Her next gives way to the supernatural: announcing advertisements for shops that mysteriously disappear. As she moves from job to job, it becomes increasingly apparent that she's not searching for the easiest job at all but something altogether more meaningful.