Jordan Peele: Horror Hitmaker Shakes Up Hollywood
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Jordan Peele: Horror Hitmaker Shakes Up Hollywood
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The past week has seen Jordan Peele dominating headlines in both horror and film business circles. On the major development front, Peele’s latest production Him, a sports-horror mashup directed by Justin Tipping and starring Marlon Wayans, is set for theatrical release on September 19. Universal just dropped a new full-length trailer that’s creating buzz for its intense premise—a young quarterback’s mentorship spiraling into a nightmare—which Peele himself describes as “about the relationship between a student and his hero… and it goes to some really terrifying places.” Early critical response is strong, with outlets noting Peele’s continued knack for genre reinvention and psychological unease. According to Syfy, his hands-on role as a producer is fueling fan expectation for another Monkeypaw Productions hit, especially after a 95 percent Rotten Tomatoes score for his previous projects.
Behind the scenes, industry trades report significant managerial shakeups for Peele. According to SlashFilm and Deadline, he abruptly cut ties with longtime managers Joel Zadak and Peter Principato at Artists First. This decision followed a failed bid by Peele’s production company to secure Zach Cregger’s horror film Weapons, a property that instead went to New Line Cinema and opened to a massive $71.3 million global debut. While some insiders speculate that business tensions and shared allegiances may have influenced Peele’s decisive move, industry consensus is that he’s adamant about maintaining creative primacy and business control as horror becomes more cutthroat at the box office.
Social media and industry news outlets have highlighted Peele’s growing portfolio as an executive producer. Variety and the Daily Sun report he’s now attached to Nuhash Humayun’s live-action short Moshari alongside Riz Ahmed. Instagram’s TheBlkScript notes he’s also executive producing Ariel Zengotita’s short film Imago, which will premiere at next month’s Toronto International Film Festival, helping to champion diverse new voices in genre cinema.
Retrospective screenings of Peele’s classics are keeping his earlier films in the cultural conversation. The New York Public Library and various indie cinemas are hosting events for Nope and Us, the latter soon leaving Netflix, prompting critics to revisit Peele’s signature blend of social commentary and skin-crawling suspense.
In summary, this has been a pivotal week: business controversy and managerial rifts, but also, high-profile releases, festival projects, and steady acclaim for Peele’s evolving influence at the intersection of horror, culture, and Hollywood power. Speculation remains high about future announcements, but the facts speak to a creator who continues to shift the industry landscape on both creative and corporate fronts.
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